Moon

Introducing The Lunartic

The Lunaritc
The Lunartic

I am so pleased to announce the availability of The Lunartic! This is a passion project that I have been working on literally for decades. My favorite astronomical object to observe is the Moon, and I want to be an even better and more informed lunar observer, so part of my motivation of this project was for myself, to become a better and more educated lunar observer… a bit of a fanatic if you will… oh let’s just say a LUNARTIC about observing the Moon. My hope is that it is a tool that will help you too friend, learn more about our beautiful Moon and nearest celestial neighbor. No light pollution filters needed, no dark skies, no cameras or long exposures of fancy smart scopes. Just look at it naked eye, with binoculars, or just a telescope with an eyepiece. Mine and the Lunartic’s journey has just begun and I have a roadmap that will take years to realize in full.

The crater Plato with accurate shadows.

The first incarnation, version 1 is now available for iOS and will run on most modern iPhones and iPads, back to iOS version 17.6. The Lunartic has the most realistic simulation of the Moon on the market today, with an accurate simulation of how the Moon looks for any date (well, contemporary dates!) down to the shadows cast by mountains and surrounding terrain. If you were a fan of the old “Lunar Visualization Toolkit”, I’ve brought that level of realism up a few notches with modern GPU technology and it will run on your cell phone or tablet! Yes… a desktop version is in the works boys and girls… stay tuned. More information about The Lunartic can be found on my business website, and I’ve posted a YouTube video with me introducing the basics of how to use it. I’ll post some more videos with deep dives in coming weeks and months as I roll out more features and we move along.

Are you a Lunartic too? Come join the fun!

A narrowband Moon

Deep sky astrophotographers often resort to a “narrowband” filter (or line filter) to image deep sky objects when the Moon is up. This is because Moonlight scattered in the sky often washes out most color filters. However, when imaging emission nebula, we often will use a special filter that is sensitive only to a particular wavelength of light that is emitted by these narrowband targets. The most common is called “Hydrogen Alpha”, and it gives many nebula a bright pink/red appearance when photographed. This wavelength is not scattered in the sky by Moonlight and so you can do perfectly good “deep sky imaging” when the Moon is out. In fact, this particular wavelength is also great for light polluted areas.

I love the Moon too though, and every time I find myself using one of these filters because the Moon is up, I also turn the camera towards the Moon for a shot. These kinds of filters produce a monochrome image, but that’s fine for the Moon. In addition, they are very much in the red end of the spectrum and these wavelengths are slightly less perturbed by a turbulent atmosphere, which can result in a sharper image.

Big Gibbous Moon

Deep sky astrophotographers often resort to a “narrowband” filter (or line filter) to image deep sky objects when the Moon is up. This is because Moonlight scattered in the sky often washes out most color filters. However, when imaging emission nebula, we often will use a special filter that is sensitive only to a particular wavelength of light that is emitted by these narrowband targets. The most common is called “Hydrogen Alpha”, and it gives many nebula a bright pink/red appearance when photographed. This wavelength is not scattered in the sky by Moonlight and so you can do perfectly good “deep sky imaging” when the Moon is out. In fact, this particular wavelength is also great for light polluted areas.

I love the Moon too though, and every time I find myself using one of these filters because the Moon is up, I also turn the camera towards the Moon for a shot. These kinds of filters produce a monochrome image, but that’s fine for the Moon. In addition, they are very much in the red end of the spectrum and these wavelengths are slightly less perturbed by a turbulent atmosphere, which can result in a sharper image.

Deep sky astrophotographers often resort to a “narrowband” filter (or line filter) to image deep sky objects when the Moon is up. This is because Moonlight scattered in the sky often washes out most color filters. However, when imaging emission nebula, we often will use a special filter that is sensitive only to a particular wavelength of light that is emitted by these narrowband targets. The most common is called “Hydrogen Alpha”, and it gives many nebula a bright pink/red appearance when photographed. This wavelength is not scattered in the sky by Moonlight and so you can do perfectly good “deep sky imaging” when the Moon is out. In fact, this particular wavelength is also great for light polluted areas.

I love the Moon too though, and every time I find myself using one of these filters because the Moon is up, I also turn the camera towards the Moon for a shot. These kinds of filters produce a monochrome image, but that’s fine for the Moon. In addition, they are very much in the red end of the spectrum and these wavelengths are slightly less perturbed by a turbulent atmosphere, which can result in a sharper image.

The “Seeing” (amount of turbulence) was very good this evening (very still air), and I rather think I got an exceptionally sharp image of the Moon here. The only processing I did of this image off the camera was curves for tonal adjustments. I did no sharpening at all. The optic was a Sky-Watcher USA Esprit 150 with their 0.77 reducer. This is one of my top scopes and on this evening it did some of it’s best work under exceptionally good skies. The camera was a monochrome Player One Poseidon-M, and the filter was a Chroma 3nm Ha filter. The exposure time was 0.1 second.

Yes, I have some deep sky images from this evening too, but I’m still collecting light for those images before they are finalized.

 

 

Earthshine

Thursday night at the 2019 Winter Star Party, the thin crescent Moon presented a wonderful sight. Not only was the Earthshine quite prominent, but two peaks at the bottom limb were just poking up and out into the sunlight making little peaks of light below the crater Tycho. I had my 6″ Esprit 150 refractor setup with an FLI ML-16200 CCD camera, which is really best suited for long exposure astrophotography. So, I shot the lunar limb through an Ha filter, which attenuates the light nicely allowing for the slow shutter speed of a full frame CCD camera. Then for the Earthshine, I used a 10 second exposure through a red filter. This naturally saturated the bright side of the moon, but I blended the two images together in Photoshop to better match the dynamic range that was available to my eyes through binoculars or a neighboring telescope with an eyepiece.

Moon with Earthshine
This image had to be a composite as the Earthshine is so much dimmer than the Sun illuminated limb.